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Bach’s relentless schedule of composing a new cantata every week means that the manuscript shows characteristic signs of being written in great haste. The corrosive iron-gall ink has eaten away at the paper in a few places, particularly where notes have been corrected or amended.

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Nevertheless, it has been exceptionally well cared for and is one of the best-preserved autographs of J.S. Bach.

We have digitised the manuscript and you can view it on Digital Bodleian!
digital.bodleian.ox.ac.uk/objects/e400...

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