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Jeremy Dauber@jeremydauber.bsky.social |
Davis goes out, and Crawford needs to get to the telephone downstairs, and we see those stairs again, as forbidding as in PSYCHO and HOMICIDE. Here, though, what we see is Crawford's agony and effort in deciding what to do...which, at this point, is to go back to her room.
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Jeremy Dauber
@jeremydauber.bsky.social
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Another kind of low-key dagger in the heart of the viewer: when Davis goes to place a personal ad, and is totally unrecognized by the staff of the paper. Davis is great in the scene, all thousand watt charm of the aspiring D-lister.
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