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‘The story set up at the outset – a woman forced to consider leaving her unfaithful husband – doesn’t go away altogether but becomes richer, multilayered and unexpected, defying logic yet wholly tenable.’

Blake Morrison on Colm Tóibín’s 𝘓𝘰𝘯𝘨 𝘐𝘴𝘭𝘢𝘯𝘥:

www.lrb.co.uk/the-paper/v4...

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