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Crooked Marquee

@crooked-marquee.bsky.social

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A delightfully crooked publication about movies. @jasondashbailey.bsky.social, editor-in-chief.

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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The 1937 screwball comedy “The Awful Truth” can be enjoyed as one of the best of its type—and as a historic record of the moment a screen persona was perfected. crookedmarquee.com/classic-corn...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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A look at the decades-long creative collaboration between director Martin Scorsese and the late musician Robbie Robertson (born on this day in 1943): crookedmarquee.com/the-next-wal...

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Craig J. Clark's avatar Craig J. Clark @hoodedjustice.bsky.social
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It's the Fourth, and I was inspired to revisit BLOW OUT by this fine article. One thing that really knocked me out was how much the art direction and costuming leans into the red, white, and blue motif. Even the tie John Lithgow is wearing when he murders the prostitute is red, white, and blue.

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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‘Terminator 2: Judgment Day,’ released on this day in 1991, expanded the canvas of James Cameron’s original – and explored his fascination with the limits of the human body. Roxana Hadadi cracks it open: crookedmarquee.com/i-sing-the-b...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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One of cinema’s strongest indictments of the American Dream, Brian De Palma’s 1981 political thriller dredges up what were then still fresh memories of the JFK assassination, Chappaquiddick, and Watergate, and reopens these unhealed wounds. crookedmarquee.com/blow-out-eve...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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As well as its jokes and social commentary hold up, the songs and grasp of musical theater history increasingly feel like the defining elements of “South Park: Bigger, Longer, and Uncut” (released on this day in 1999): crookedmarquee.com/south-park-m...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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As well as its jokes and social commentary hold up 25 years after its release, the songs and grasp of musical theater history increasingly feel like the defining elements of “South Park: Bigger, Longer, and Uncut”: crookedmarquee.com/south-park-m...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services includes ‘Monkey Man,’ 'Love Lies Bleeding,' "Bound,' ‘The Underground Railroad,’ ‘Blue Velvet,’ ‘Purple Rain,’ and more. crookedmarquee.com/the-best-mov...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Pulitzer Prize-winning playwright Annie Baker brings wonderful specificity to her feature debut about the close connection between a mother and daughter. Our review of “Janet Planet”: crookedmarquee.com/review-janet...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Alan J. Pakula’s conspiracy thriller ‘The Parallax View,’ released 50 years ago today, is that rarest of beasts: a film firmly rooted in its moment, yet increasingly relevant with the passage of time. crookedmarquee.com/classic-corn...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Robert Hamer's acerbic class satire “Kind Hearts and Coronets” wasn't a guaranteed hit for Ealing Studios back in the day. Seventy five years on, it still feels riskier than any current mainstream comedy. crookedmarquee.com/killing-on-f...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Our first report from this year’s Tribeca Festival includes mini-reviews of “Firebrand,” “Made in England: The Films of Powell & Pressburger,” “Elizabeth Taylor: The Lost Tapes,” and more: crookedmarquee.com/tribeca-disp...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Rainer Werner Fassbinder’s “Querelle” (now available on Blu-ray from the Criterion Collection) got razzed for its music, but it was a bold and unapologetically homoerotic final statement from the iconoclastic filmmaker. crookedmarquee.com/classic-corn...

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Crooked Marquee's avatar Crooked Marquee @crooked-marquee.bsky.social
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services includes “Mute Witness,” “Girlfight,” “Platoon,” “The Magnificent Seven,” and many more. crookedmarquee.com/the-best-mov...

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