‘The Blues Brothers,’ released on this day in 1980, is a deliriously over-the-top stew of great music, crashing cars, and deadpan comedy. crookedmarquee.com/classic-corn...
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‘Kinds of Kindness,’ the latest from Yorgos Lanthimos, is (as his style) provocative, darkly funny, and deeply twisted. Our review: crookedmarquee.com/review-kinds...
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“My Son the Fanatic,” a nuanced story of a liberal father and his fundamentalist son, was one of several films Miramax unceremoniously dumped in theaters in the summer of ’99. crookedmarquee.com/harveys-hell...
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This week at @crooked-marquee.bsky.social, I wrote about Bob Odenkirk’s directorial debut, MELVIN GOES TO DINNER. Now that it’s on the @criterion.bsky.social Channel as one of their “Restorations and Rediscoveries,” I hope more people will discover the charms of this scrappy indie.
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Our final report from Tribeca Festival includes mini-reviews of "I'm Your Venus," "Jazzy," "Checkpoint Zoo," and multi-award winner "Griffin in Summer.” crookedmarquee.com/tribeca-disp...
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Jacques Tati’s delightful comedy 'Monsieur Hulot's Holiday' was released on this day in 1953. It is, in many ways, the perfect summer movie: crookedmarquee.com/classic-corn...
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Hal Ashby's 1975 Warren Beatty vehicle ‘Shampoo’ (now streaming on Amazon Prime) is a sharp political commentary -- and a crackerjack sex comedy. crookedmarquee.com/classic-corn...
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Alan J. Pakula’s conspiracy thriller ‘The Parallax View,’ released 50 years ago today, is that rarest of beasts: a film firmly rooted in its moment, yet increasingly relevant with the passage of time. crookedmarquee.com/classic-corn...
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Robert Hamer's acerbic class satire “Kind Hearts and Coronets” wasn't a guaranteed hit for Ealing Studios back in the day. Seventy five years on, it still feels riskier than any current mainstream comedy. crookedmarquee.com/killing-on-f...
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Our first report from this year’s Tribeca Festival includes mini-reviews of “Firebrand,” “Made in England: The Films of Powell & Pressburger,” “Elizabeth Taylor: The Lost Tapes,” and more: crookedmarquee.com/tribeca-disp...
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Rainer Werner Fassbinder’s “Querelle” (now available on Blu-ray from the Criterion Collection) got razzed for its music, but it was a bold and unapologetically homoerotic final statement from the iconoclastic filmmaker. crookedmarquee.com/classic-corn...
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Arthur Penn's detective yarn ‘Night Moves,’ released on this day in 1975, is a quintessential example of '70s genre-busting bummer cinema: crookedmarquee.com/classic-corn...
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Our bi-weekly look at the best new titles on Blu-ray, 4K, and your subscription streaming services includes “Mute Witness,” “Girlfight,” “Platoon,” “The Magnificent Seven,” and many more. crookedmarquee.com/the-best-mov...
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Esther Williams was an athlete turned actress and now, over 70 years later, we're still in awe of her athletic feats. crookedmarquee.com/esther-willi...
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Alain Resnais’ 1959 drama ‘Hiroshima mon amour,' released on this day in 1959, asks always-timely questions about dramatizing tragic events. crookedmarquee.com/classic-corn...
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Louis Malle’s solo directorial debut ‘Elevator to the Gallows’ remains a stunning, scorching slice of French New Wave noir. It was released on this day in 1961: crookedmarquee.com/classic-corn...
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One of the Criterion Channel’s “Restorations and Rediscoveries” this month is Bob Odenkirk’s debut feature “Melvin Goes to Dinner,” which is ripe for rediscovery. crookedmarquee.com/order-up-mel...
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On Orson Welles' 'The Lady from Shanghai,' released on this day in 1948: crookedmarquee.com/classic-corn...
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