Reposted by Deep Cuts in a Lovecraftian Vein
Tim Molloy
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Good anthology, but I'm thinking of something much more focused on Innsmouth/Deep Ones.
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Haven't. I only had to use that for one post.
So far.
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There's a couple of Mythos stories like that.
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Well, I ordered the curry powder. Now, we wait.
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Top three warning labels on the blog boil down to:
1) NSFW
2) Historical racism
3) Scary clown
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A better title might be something like DE-COLONIZE THE MYTHOS. Definitely something to workshop.
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Not discussed in the story; although there's a passage from the Necronomicon about breeding worms in camels.
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Lovecraft's interpretation of it as a ghost story is definitely a minority view. He wasn't much taken with psychological horror by itself; he liked that thrill of something from outside impinging on reality.
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Honorable Mention: THE AFRICAN CYCLE
Most folks don't care for Lovecraft's stories dealing with Africa or Africans, few as they are, because of the racial stereotypes. But there are some interesting stories that have come from there, like “Hairwork” by Gemma Files & “Magna Mater” by Arinn Dembo.
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5) THE FORGOTTEN MYTHOS
There are a number of early Mythos and Mythos-adjacent stories that aren't by Lovecraft that have never been collected and published in Mythos anthologies, like “The Were-Snake” (1925) by Frank Belknap Long and “The Picture” (1939) by Robert D. Harris which should see print.
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4) THE EXTREME MYTHOS
This is maybe a bit edgelordy, but somebody asked me to make a list of the most "extreme" Mythos stories once, and while I listed things like “Necrophallus” by Makino Osamu (牧野修), it's kind of weird these stories aren't collected in one place.
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3) THE EXPERIMENTAL MYTHOS
Closest we ever got to anthologies of experimental fiction dealing with the Mythos were THE STARRY WISDOM and SONGS OF THE BLACK WORM GISM, but with a new generation of authors I think we can do weirder still.
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2) CTHULHUPUNK
There is an anthology called ELDRITCH CHROME, but I'd really like to see a book that was more like MIRRORSHADES but for the Mythos. “Star Bright, Star Byte” by Marella Sands, "A Colder War" by Charles Stross, "The Unthinkable" by Bruce Sterling, etc.
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1) DAUGHTERS OF DAGON
There has been some brilliant short fiction and poetry written expanding on "The Shadow over Innsmouth" and the Deep Ones by women, and focusing on women, such as Sonya Taafe's "All Our Salt-Bottled Hearts." I think such a theme would be brilliant for an anthology.
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The world doesn't lack for Cthulhu Mythos anthologies. That said, if I were a publisher with the money to pay writers what they're worth and produce the books I'd want to read, there are a few anthologies I'd love to see.
So here are my top 5 hypothetical Mythos anthologies.
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Underappreciated deep cut of the day: Lovecraft's odd connection to Charlotte Perkins Gilman, and his idiosyncratic reading of "The Yellow Wallpaper."
deepcuts.blog/2021/05/01/t...
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"[...] while he who has never eaten a young wombat treated with coriander seeds, turmeric, green mango and dry ginger has not used his opportunities."
- Marcus Clarke, quoted in Barbara Santich's IN THE LAND OF THE MAGIC PUDDING: A GASTRONOMIC MISCELLANY
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If you've never read it, you should check out Gilman's piece "Why I Wrote The Yellow Wallpaper" (1913).
www.nlm.nih.gov/exhibition/t...
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Book catalogue project, day 12: The Eye and The Finger (1944, Arkham House) by Donald Wandrei. Dustjacket chipped, faded. Pages tanned. In mylar. Previous owner's signature and bookplate.
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That was...odd. Tonally all over the place. Some really interesting variations on traditional vampire lore, interesting tie-in with Japanese history. Last twenty minutes or so are almost as campy as an episode of Scooby Doo.
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Tonight's film is LADY VAMPIRE (1959, 女吸血鬼), a Japanese black-and-white horror film, supposedly the first to feature a Western-style vampire.
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I am "that guy."
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My favorite response to the blog so far is: "Yeah, I want something just like that, just not written by that guy."
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It's always weird to me when I see the rates on a call for submissions and realize I've paid more per-word on a guest post for the blog than some folks get paid for a 5k story.
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"The phrase humorous stars is correct. I meant to signify the ironic indifference of the cosmos."
- H. P. Lovecraft to R. H. Barlow, 1 Dec 1934, OFF 191
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Book catalogue project, day 11: DISCLOSURES IN SCARLET (1972, Arkham House) by Carl Jacobi. Clean pages, excellent dustjacket, in mylar.
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While far from my favorite Japanese horror movie, I think fans of classic vampire films might dig this one a lot for its unconventional bloodsucker.
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Very slow-burn start; 1950s Japan is a lot to take in. The overtly supernatural turn doesn't really show up until relatively far along in the movie, and when it does we get a surprisingly nuanced cross between a revenge story and a creature feature.
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Congrats!
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Tonight's film: VAMPIRE BRIDE (1960, 花嫁吸血魔), a Japanese black-and-white horror movie that promises to be interesting.
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"And brother, do I have a story for you," she added, with a wicked grin that made me want to go for her throat.
I bit back the instinct. She remembered herself, covered her mouth, the flash of teeth.
"Let me guess: murder. Lust. Greed."
"How did you know?"
I gave a close-lipped smile in reply.
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Smoking was a nasty habit. I kept my teeth covered and fetched a pack of matches from my coat pocket. She leaned down, tall and broad-shoulders, the hair around her head a veritable mane...
"Homo neanderthalensis?" I asked, as she took a drag.
"I prefer 'Pans narrans,'" she said, breathily.
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She looked around the place as if she graced it with her presence, and as I took in the holes in the filing cabinet, the shattered bottle of Jameson on the desk, I conceded maybe she did.
So I drew myself up to my full height, straightened my tie, and shuffled around the desk.
"Got a light?"
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Then utter stillness. The roar in my ears died down so I could hear the carolers at the mission church three blocks away. So I could see the white snow that felt down to cover the filthy slush in the street.
The angel stepped through the ruin of my door with a click of two-inch heels.
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A deadly rain hit the floor a second after I did, as a hail burst through the glass-fronted door that declared Mickey Austrolepithecus, P.I. I emptied the cylinders at the fleeing car, but all I saw were black hairy knuckles gripping the Chicago typewriter, the sleek lines of the Bentley a blur.
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You are correct. I should not have said anything.
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"She says she has 'a gnawing emptiness inside of her' and wants to be 'stuffed full of sausage from both ends.'"
"...I'll get the kielbasa and the ketchup, you grab the condoms and the lube."
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The difference between Lovecraft and Rowling has less to do with their relative success during life, than how they chose to address their prejudices in public.
deepcuts.blog/2022/12/21/d...
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It has often been put forward that Lovecraft experienced a change of heart during his last few years; if you mean the last 25 years of his life, the years when he was writing and traveling--then yes, his views were challenged and changed, even if he was never not racist by any contemporary standard.
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That doesn't excuse his prejudice; it does give the background against which he lived. Lovecraft's prejudices were never static throughout his life. As he traveled, met and talked with more people, read more widely, and he saw world events take place, so too did Lovecraft's views change over time.
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Lovecraft was a bigot. That is not surprising considering when and where he lived: the United States was in the nadir of race relations. He saw Jim Crow, the Asiatic Barred Zone Act, the Scotsboro Trial and the Massie Case play out; saw the second rise (and fall) of the KKK and the Nazi party.
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