๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar

๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ

@klarablick.bsky.social

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๐ด ๐‘™๐‘–๐‘“๐‘’๐‘™๐‘œ๐‘›๐‘” ๐‘๐‘Ž๐‘ ๐‘ ๐‘–๐‘œ๐‘› ๐‘“๐‘œ๐‘Ÿ ๐‘กโ„Ž๐‘’ ๐‘๐‘Ž๐‘ ๐‘ก, ๐ผ'๐‘š ๐‘‘๐‘’๐‘ฃ๐‘œ๐‘ก๐‘’๐‘‘ ๐‘ก๐‘œ ๐‘ฃ๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐‘ ๐‘ก๐‘ฆ๐‘™๐‘’. ๐‘‡โ„Ž๐‘Ž๐‘›๐‘˜ ๐‘ฆ๐‘œ๐‘ข ๐‘“๐‘œ๐‘Ÿ ๐‘ฆ๐‘œ๐‘ข๐‘Ÿ ๐‘ ๐‘ข๐‘๐‘๐‘œ๐‘Ÿ๐‘ก.

๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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#vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Jane Fonda, Henry Fonda, and Peter Fonda in the 1950s

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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1951: Detroit & Royal Canadian Mounted Police.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Publicity photo of Marie Windsor for the United Artists feature ๐‘ป๐’‰๐’† ๐‘ฒ๐’Š๐’๐’๐’Š๐’๐’ˆ, a 1956 American film noir directed by Stanley Kubrick and produced by James B. Harris.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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1950s

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Kirk Douglas 1952.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Day Out: Two women modelling raincoats and hats in 1953.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Vera-Ellen and Victor Rothschild on their wedding day in 1954.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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#vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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This illustration by Andy Virgil was in Collier's magazine in November 1959 with a story titled ''The Crush''.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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September 1951: Joan Collins has been signed by the Rank Organisation and will first appear on cinema screens in the upcoming film ๐‘ณ๐’‚๐’…๐’š ๐‘ฎ๐’๐’…๐’Š๐’—๐’‚ ๐‘น๐’Š๐’…๐’†๐’” ๐‘จ๐’ˆ๐’‚๐’Š๐’ playing a beauty contestant.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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1950s

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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1957: Rock Hudson and Jennifer Jones on the set of ๐‘จ ๐‘ญ๐’‚๐’“๐’†๐’˜๐’†๐’๐’ ๐’•๐’ ๐‘จ๐’“๐’Ž๐’”, based on the novel by Ernest Hemingway and directed by Charles Vidor.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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The pride of '59.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Doris Day and her husband, Marty Melcher, are photographed attending an event together around 1953-1954.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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6 women friends with families at a beach cabin, in the Summer of 1955.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Humphrey Bogart wins the Oscar for Best Actor for ๐‘ป๐’‰๐’† ๐‘จ๐’‡๐’“๐’Š๐’„๐’‚๐’ ๐‘ธ๐’–๐’†๐’†๐’ at the 24th Academy Awards. Greer Garson presents the award; hosted by Danny Kaye.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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New York 1940s in Color. Driving Downtown.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Alice Faye, Jack Oakie, and John Payne on the set of ๐‘ป๐’Š๐’ ๐‘ท๐’‚๐’ ๐‘จ๐’๐’๐’†๐’š (1940).

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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February 1943: "New York, New York. Italian-American children warming their hands by fruit stand outside a grocery store at First Avenue and Tenth Street." Medium format acetate negative by Marjory Collins for the Office of War Information.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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"The secret of staying young is to live honestly, eat slowly, and lie about your age." Lucille Ball

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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The Swans Walk, Antwerp, Belgium, 1949 by Aart Klein.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Rosalind Russell and her husband 1941 in a Night Club.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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The girls take in a matinee. Snapshot and an old family picture.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Paulette Goddard 1942.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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The Winner - No 76 - Pierre Giround - being presented with bouquet and kissed by woman.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Gregory Peck was one of the most popular film stars from the 1940s to the 1960s.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Lana Turner, Laraine Day, and Susan Peters in ๐‘ฒ๐’†๐’†๐’‘ ๐’€๐’๐’–๐’“ ๐‘ท๐’๐’˜๐’…๐’†๐’“ ๐‘ซ๐’“๐’š (1945).

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Gene Eliza Tierney, here 1942, was an American film and stage actress.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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San Diego, California in 1947.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Bing Crosby 1948.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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OXO Cube ad, WWII.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Betty Grable wearing a wide-brimmmed black hat, circa 1945.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Richard C. Schneider, at training about 1941 at Camps Wolters and Robinson in Texas during a visit by his parents Charles and Lydia. Film by Charles A. Schneider.
#wwII

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Gil Elvgren (1914โ€“1980) - This Bicycle's Built for Woo, 1947.
#pin-ups #vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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#vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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La Panne, Belgium, July 12, 1936.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Marlene Dietrich by James N. Doolittle, 1930s.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Five ice cream for four, circa 1930s.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Elsie Larson and June Lang in Malibu, California, May 25, 1933.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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October 1937: View taken in the rain, towards the east of Saint Catherine Street West at the intersection of Phillips Square in Montreal.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Gary Cooper sitting on his new car at Paramount Studios ca. 1937. #vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Engagement, 1938.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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As a young starlet in the 1930s, Rita Hayworth spent much of her time in front of the studio photographers modeling both fashions of the day as well as her film costumes.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Still from the film ๐‘ถ๐’–๐’• ๐‘พ๐’†๐’”๐’• from 1918, directed by Roscoe 'Fatty' Arbuckle and starring Arbuckle, Buster Keaton and Al St. John. #vintage

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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1929: Tennis was a popular Jazz Age sport.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Marie Prevost, here 1918, was a Canadian-born film actress. During her 20-year career, she made 121 silent and sound films.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Bobby playing ball, 1920s.

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๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ's avatar ๐ผ'๐‘š ๐‘‚๐‘™๐‘‘ ๐น๐‘Ž๐‘ โ„Ž๐‘–๐‘œ๐‘›๐‘’๐‘‘ - ๐‘‰๐‘–๐‘›๐‘ก๐‘Ž๐‘”๐‘’ ๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘‘๐‘Ž๐‘ฆ @klarablick.bsky.social
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Portrait of John Barrymore by Adolph De Meyer, 1920.

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