OK this episode is fantastic, especially the bit where they talk about how unsettling amusement parks are and one of them says "I saw what happened to KISS, it wasn't good"
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adding that screencap to this song's Genius page
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(I mean I like Rees and Miyazaki, it's not just me on an anti-ogre vendetta)
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I've listened to and enjoyed a couple episodes of Blank Check but didn't add it to my permanent podcast rotation so it'd be funny if this was the thing to finally do it
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though maybe this new film will finally resolve the question of why shrek is piss
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literally the only positive thing I can think of from that meme-poisoned franchise is the intricate meta-reference of using the Beastie Boys' 'Sure Shot' as a needle drop in the second movie because it samples a song recorded by William Steig's son
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time to put my get-psyched soundtrack on
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Double Threat should sue
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This is me every time Budos Band puts out a record
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everybody has their own all-time "wait is that what the lyrics are about, what the fuck" moment, and sometimes I think mine is when I found out what that garbled partially-backmasked voice in Boards of Canada's "1969" was saying
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I still hang around spaces like this as a way to trade chill banter with people I (at least kinda) already know and like; everything beyond that is a minefield
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2004: "never read the comments"
2024: "now everything is the comments"
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that could stand a non-zero chance of actually being kind of cool
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been a pretty good month for democracy
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funny timing, thinking about how things converge sometimes
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(also props to Peter Boyle for noticing the reactionary love for that movie and going "OK I'm going to stop taking roles like this for a while")
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incidentally one of the few legit positive things about 'Joe' was that it had this on the soundtrack
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it's Beck's birthday so I'm glad I have an excuse to post my favorite post-'90s song of his, a stoned-beautiful 2000 b-side / post-facto title cut with lyrics that read like Philip K. Dick riffing off Joan Didion ("Contaminated actors/Living on a farm/Harnessed to a life of protein and equipment")
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starting to wonder if I have both. in any case this is me
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me being a little kid in the '80s and growing up being fascinated by pop-psychedelic '70s aesthetics could probably be pinned at least partially on this
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(referring to the whole playlist, not just "Ladybugs' Picnic", though now I'm like "whoa, Bud Luckey from Pixar animated this?!")
(also I'm pretty irritated that most of these uploads seem to be in 12p resolution potatovision)
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it will take a lot of effort to convince me that this is anything but the ideal childhood aesthetic
www.youtube.com/watch?v=Xr8v...
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(according to one commenter they saw it on HBO in '83, so it was still circulating on random TV blocks somehow)
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this just reminded me of the first music video I ever remember seeing, apparently by the same animator. I'm not sure how, why, or when I saw it (this must've been late '70s at the absolute earliest), but I'm sure it was years after it originally aired
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so with Ade it's largely down to the band and the sound of his voice itself; the language barrier makes me wonder what I might be missing in context but the pull of the music itself sustains my interest far beyond that
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I'm not sure how deep our disagreement is, though? Because it depends for me. Creative and interesting lyrics are crucial in a lot of contexts for me (especially rap) but in other cases -- the ultrasimplicity of "I Feel Love" is the first that comes to mind -- the vocal performance is the real draw.
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My newest Substack post is about "world music," everything that category implies, and the effect that had on the international breakthrough of a legend in African music.
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ah memories
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Once again I am given to contemplate one of Minnesota's most undersung and bizarre contributions to music lore: ensuring that the first Kraftwerk song thousands of people would ever hear was "Ruckzuck"
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I am literally writing a post about King Sunny Adé this weekend and I watched a clip of him performing in that movie, it seems like a completely bewildering tonal mismatch
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I keep thinking of those characters as late Generation Jones a'la 'Dazed and Confused' but that's an interesting candidate. Maybe 'Repo Man' qualifies too even if it predates the codification of whatever "Gen X" represented at its peak
I also haven't seen it yet but I wonder if 'SLC Punk' qualifies
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our big "we turned out worse than we hoped we would" movie being contemporaneous with our teen years is a wild idea
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(the song they are dancing to in this scene came out when I was 2)
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I mean I never had any time for that movie's own nonsense (I was still in high school, these were the kinds of people I wouldn't be for another 5ish years at least) but its whole Voice of a Generation status is all about the "stay true to yourself and never go corporate" POV and so much for that
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haha no, that's still deeply in the "we are cool and will never sell out" phase (read: denial)
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I'm also inclined to wonder what the Gen X (or in my case Xennial) equivalent is, the "we thought we'd be daring and rebellious forever but we fumbled the bag" reckoning, and coming up short. Maybe Fight Club could've been it but it caught Scarface "too many fans ignore act 3" syndrome
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(anyways if you want a more honest self-critiquing dose of Whither the Boomers in your cinema the answer is a 'Lost in America'/'The Big Lebowski' double feature)
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I can't stand this film, but everybody in our generational cohort using it as an example of how boomer pop-culture narcissism is a unique and singular horror should be forced to listen to the unabridged 'Ready Player One' audiobook
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I love how the uploader looked for the first image of Michael McDonald they could find and wound up using Rick Moranis's impersonation from SCTV
(which, algo-driven or otherwise, is also the first result to autocomplete when I search for "SCTV" on YouTube)
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Well great, now I'm speculating why Wakko is the only Warner with a British accent and whether he's even eligible to vote. Is he some sort of expat? Or is he one of those Americans who spends a year in Britain and comes back talking like Paul McCartney?
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the ironic thing about this skit is that I never saw it until 15+ years later, at which point Smirnoff was a popular fixture in Branson and memes riffing off his most popular joke structure were everywhere
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imagine restaging this video with those guys
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this is why I don't like that movie, it presents us with a world in which Scarface's 'The Fix' cannot exist
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(OK, going to come clean and admit that I am usually thinking about it anyways whether or not anyone else inspires me to)
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and now you've got me thinking about Debbie Harry's Muppet Show/Polyester/Videodrome/Rock and Rule/Scarface early '80s run
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Reposted by Nate Patrin
I wrote about the life, not the death, of Liara Kaylee Tsai, the recently killed Minneapolis DJ, for Carbon Sound. It's a big story for a big personality and I hope you take the time for it.
www.carbonsound.fm/feature/2024...
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I wish I could know what he'd think now about whether he regrets framing 'Vampire Castle' around the idea that people are too hung up on identity politics to recognize what a class ally we have in Russell Brand
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I haven't seen it in ages but I tend to remember it as Scorsese-Schrader's Guiliani-era 'Taxi Driver' counterpoint/inversion/reebuttal so I'm probably going to revisit it and see if that impression holds up
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I was going to note how it's an underrated Scorsese soundtrack sync and then I found a straight-up fan-film music video for it
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also it is novel when a political song sees its intended outcome actually happen
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