Reposted by Shelly Kraicer *Ceasefire Now*
New co write with the talented Sharon Yam, on Hong Kong, my first for New Lines, great experience with the publication newlinesmag.com/argument/say...
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I give up 😁
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Watching Tibetan films today
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@BerlinPhil and Yannick Nézet-Séguin on the Berlin Phil’s digitalconcerthall.com right now. Shostakovich’s Symphony No.7 (Leningrad). A perfect work for this moment, exploring how individuals can (or cannot) survive against savage, unremittingly violent political power.
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Reading Alice Munro: this is an excerpt from “Heirs of the Living Body”, in LIVES OF GIRLS AND WOMEN. Munro is not just one of “our” greatest writers; she is one of the greatest writers.
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Ivy League colleges now prostitute their prestige, students, & faculty to support massive investment fund capital & the billionaires whose money the same colleges solicit, now with many strings attached (influence on hiring, student discipline etc), This has to end. 2/2
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The root of the problem that leads US Ivy League colleges to precipitously call in riot police to violently break up peaceful student protests is the metastases of their endowments: colleges have become name plates for hedge funds. 1/x
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Also in Santa Maria sopra Minerva: Filippino Lippi’s fresco of gambolling angel-musicians and suave youths.
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Hot Jesus. A relatively unknown Michelangelo hiding in the Basilica di Santa Maria Sopra Minerva in Rome. Great ass, but isn’t his head a bit small? (not an Easter post, purely a coincidence).
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Also in Santa Maria sopra Minerva: Filippino Lippi’s fresco of gambolling angel-musicians and suave youths.
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Maurizio Pollini is gone. His Apollonian playing transmuted into music the kind of ideal world his CP roots imagined was possible. His Beethoven Piano Sonata, Op. 111 is the greatest recording I know. It shocked me, beckoning me into a world more perfect than any of us deserves.
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But the new security law, hastily rushed through Legco, was impossible to ignore. Friends watched a superb actor sentence to years in prison. But another, blacklisted actor is working again. As authorities attempt to subsume HK into just one part of the Greater Bay Area, much is still possible. 3/3
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I met with a range of filmmakers, some seeing sustained possibilities of better cooperation with China (not my kind of analysis, but interesting to hear), some determined to go ahead and create a new space for good work, some cautious, some lowering their profiles as much as possible. 2/x
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I was in Hong Kong last week doing some research. Strange mixed moods. Filmart (the annual movie, trade fair) pretended all was normal (although the Chinese commercial film presence was massively dominant). HAF eliminated documentaries, to avoid trouble. M+ seems brilliant and vigorous, for now. 1/x
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Israel’s attacks on Gaza’s health infrastructure, its collusion with the US gov’t in crippling UNRWA, on top of the murder of over 30,000 thousand mostly women & children, add up to a shockingly frank display of genocide. Israel will liquidate this ghetto until the US stops them.
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Reflecting on my current (and long past) experience, no one is *ever* early for a meeting in Beijing. Being 45 minutes late is completely normal: all one has to do is wave one’s hands, shrug, and say “traffic”, as if that’s a totally unpredictable, unexpected phenomenon here.
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Best simple foods in Beijing: youpochemian & roujiamo. Classics from Xi’an: oil seared spicy noodles & fatty pork in crispy bun. I can find them in Toronto, but not the same. I was favoured with a grudgingly pleasant comment from the charmingly grumpy granny at the cash: “You speak decent Chinese”.
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There’s a Leonardo currently visiting Shanghai. Quite surprised to finally see his La Scapigliata (from Parma, plus a bunch of weirdly fetishistically militarized drawings of his from Milan) in a show surrounding Leonardo with a few 16C masterpieces from the Shanghai Museum’s own collection.
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Arrived in Shanghai. I always love the old buildings here, how strollable the city centre is.
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New York’s newest super-tall super-thin skyscrapers, towering over Central Park South, are a dystopia. They flaunt super-excessive wealth in a concrete, visible way. That’s their meaning. And their aggression.
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New York City ballet were brilliant tonight. @saramearns brought gorgeous subtle simmering autonomy to her role in Alexei Ratmansky’s Odesa. The ballet is about submission, make violence & female rebellion, but its gender crimes now reverberate with Russian crimes. The dancing is crazy impassioned.
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Flight from Toronto did a tour of Manhattan before we landed at LaGuardia. I’ve never flown that approach before.
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Disused old maple sugar shack on an abandoned golf course. This area, near Delta, Ontario, used to be famous for its maple syrup.
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My WeChat feed is filling up with short clips about Navalny, Russians denouncing Putin. Are Chinese friends indirectly making a point, while this little window remains open?
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It's hard to understand the @nytimes disaster: it covers Trump slavishly, covers Biden churlishly, and spends so much ink/pixels & prestige attacking trans people. Elite self-identification -- "we are the elite and will remain so, no matter what" -- is this a sufficient explanation?
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I can’t stop thinking about the Van Gogh paintings from the Musée d’Orsay show. They’re obsessing me. Photographs don’t capture the kind of psychic hold they have on one. They capture, they seize your eyes and brain when you’re in a room with them. Two closeups that try to show some textures.
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Reposted by Shelly Kraicer *Ceasefire Now*
The New York Times is not well.
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From the magnificent “Van Gogh in Auvers-sur-Oise” show at the Musée d’Orsay. About 50 paintings from the last 2 months of his life. Everything is at stake in each stroke and dab and curl. Illness and inspiration are inseparable. But it’s an illness that forced him to create a new world. For us.
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Reposted by Shelly Kraicer *Ceasefire Now*
In the new LRB, I wrote about how Israel has replaced much of Gaza with an uneven igneous landscape of black-grey mounds. www.lrb.co.uk/the-paper/v4...
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Reposted by Shelly Kraicer *Ceasefire Now*
New from me: Israel's foolproof plan to completely destroy Hamas inthesetimes.com/article/comi...
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Reposted by Shelly Kraicer *Ceasefire Now*
When a government attempts to discredit The Hague, it's a sign something has gone terribly wrong in that country.
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Two tiny Seurats, in a corner of the Musée d’Orsay.
“More light. Colour and light. There’s only colour and light…” (Sondheim)
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Why don’t they just leave it like this. So much better than Viollet-le-Duc’s kitsch spire.
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Both on view in Paris today. The Louvre wants us to help them buy the second one. Chardin’s concrete sublime. It’s breathtaking. And —> Manet —> Morandi.
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To be clear, one feels rage-despair, complicit in Israel’s crimes against humanity in Gaza. Against the attempted throttling of protest in North America, Europe, and Israel, we should try to be as brave, as creative, as sophisticated as Shostakovich in inventing new languages of dissent.
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… and the fierce, violently throttled desire to register resistance; a conviction that fighting with every ounce of your moral being is articulable, necessary, and worthwhile. 2/x
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Listening to Shostakovich Symphony no.13 “Babi Yar” on francemusique.fr now. This strikes me as precisely the right music for this time, our desperately dark present. Shostakovich’s music registers horror, moral responsibility (ours, implicated within systems of destructive power), and … 1/x
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Since ... Pema Tseden's next-to-last film SNOW LEOPARD, I guess?
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A year or so?
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Most interesting mainland Chinese film I’ve seen? Still waiting … (a couple I’ve subtitled that haven’t come out yet, but those don’t count (yet)).
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Most thought-provoking Taiwanese narrative fiction I’ve seen in the last year: the political-feminist TV series Wave Makers, which was a superb observers’ guide to the Taiwanese election. It even taught me “frozen garlic” (Dong suan = 當選)before the NYT got around to it.
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I’ve seen some fascinating new Hong Kong films lately, and they’re not the ones I’m supposed to like. I should try writing up something.
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