3/3 But the crying will not have the dramatic impact as it would if we rarely see the character cry. Again, not talking about the expression of grief in real life, but about how it is used to tell a story.
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2/3 If you take the extreme indicator and make it a common moment, the audience loses the sense of scale. We're not sure what he finds unfortunate vs sad vs truly heartbreaking. At what level a character cries can be and indicator of their personality.
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I would same the same of any gender (in a TV series, not talking real life). Think of any of the last four doctors who displayed a huge range of emotions. When they cried, or even got misty-eyed, it carried dramatic weight - the top level of sadness. 1/3
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I'll be doing a Live Stream interview with Nick Barrucci, owner of Dynamite Comics. This Friday, 06/14, 4:00PM Pacific/7:00PM Eastern, everyone else, do your own math. I think this is the right link. Original art!!
www.youtube.com/watch?v=7CQn...
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We used to "hunt" bats at the end of our block in the 50s. We'd throw rolled up newspapers as high as we could. The bats swooped around the papers as they fell. Watching a bat spiraling down around your newspaper was so cool, like you had performed some sort of summoning spell!
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Reposted by Tad Stones
I have xtra X-Men cats prints leftover from the con!
Anyone interested? They’re 5x7in and $5 each (or if you want all 10, I can do $40).
DM me if interested!
#xmen #comics #kidlitart #art #blueskynightmarket
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Greg! It's obvious that you have caught an image of a dead plant, haunting it's seedling! It's Cottingley all over again!
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You are absolutely right. I was mentioning at lunch to someone that some of the AI models let you include "in the style of" a specific artist while others don't allow it. But if the personal data is connected to the family photo, that image could definitely pop up.
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Had a wonderful lunch in Pasadena today with Joe and Gay Haldeman, who are here for the SFWA Nebula Conference. But we never thought to take a selfie, so as far as the internet is concerned, I guess it didn't happen. Darn, it seemed like we really enjoyed ourselves.
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I've said it before that it's weird to me that saying a product uses AI is seen as a positive marketing ploy, when there's so much coverage over glue in the pizza topping fiascos.
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But an artist knows that huge chunks of work will dry up. Bookcover designs, advertising layouts, lettering, editorial illustrations, etc.. They might not be as unique as what a talented artist would make but for a market looking to cut costs, it may be "good enough." 2/3
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I don't think a kid's image will show up in a generative fill picture. All the images inform the AI, it's not a cut and paste thing. People play with Meta:AI imagine like a game. Instead of playing a star fighter, you're playing an artist. Except it gets boring faster than a regular game. 1/3
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It's rare when I have something something to hype that I'm at least marginally connected with. Does writing a forward count? www.kickstarter.com/projects/dyn...
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3/3 Feature people moved to TV like the shorts animators did in the 50s. Games are a new landscape. The most successful folks were eager to learn new things. Grab the opportunity!
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2/3Some animators couldn't make the transition and moved in to storyboarding. Some second string animators, who had been held back by their weak drawing, surged to the top ranks.
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After The Little Mermaid and Roger Rabbit, universities all over beefed up or started animation programs. The industry swelled with the new talent. Then Toy Story happened. The industry changed. Pixels replace pencils. 1/3
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So what is the state of employment in the TV animation industry right now? For instance, for someone who's done three seasons or so of two different shows, are they finding continuing work? What's the situation for those who entered the industry around 2019?
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