Michael Lobel's avatar

Michael Lobel

@mlobelart.bsky.social

907 followers 60 following 930 posts

Professor of Art History, Hunter College & CUNY Graduate Center. I look at things and then write about them.

Author of Van Gogh and the End of Nature, from Yale University Press: yalebooks.yale.edu/book/9780300274363/van-g


Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Very happy to have sat down with Craig Gould of the Art Sense podcast to talk about my new book, "Van Gogh and the End of Nature" yalebooks.yale.edu/book/9780300...

Available on Spotify: open.spotify.com/episode/4Uma...

And on Apple podcasts: podcasts.apple.com/us/podcast/e...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Coconut Lemon Cake, 1974, painted in acrylic on canvas by the incomparable Audrey Flack, who died late last week, age 93

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Love this. I'd started looking at her work again recently, and clearly she was never really given her due. Like so many women artists she'll get a big retrospective only posthumously

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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RIP artist Audrey Flack, one of the titans of Photorealism. Such sad news- I'd been talking with her in recent months, and she was just so incredibly lovely and vibrant www.nytimes.com/2024/07/03/a...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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David Hammons, Pray for America, 1969 www.moma.org/collection/w...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Serious question from a longtime follower: Do you think any of the conservative justices who signed on to this decision are regretting it at all right now?

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Philip Guston, San Clemente, 1975

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Will you at least do funny voices or something to make it all sting a little less..?

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Relatedly: bsky.app/profile/mlob...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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same

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Necessary vibe shift: Milton Avery, Dancing Trees, 1960

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I'd love to see an installation with these two works together

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Reposted by Michael Lobel

John Pfaff's avatar John Pfaff @johnpfaff.bsky.social
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Homeless people can be arrested for sleeping, Presidents cannot be arrested for rampant graft and corruption done while in office. There is no clearer a summary of "conservative 'law and order'" than this.

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I've posted this image before, but it's still so relevant today: in this 1936 editorial cartoon for the Baltimore Afro-American newspaper, artist Romare Bearden labeled the Supreme Court as "The Great Barrier to Equality"

4 replies 155 reposts 388 likes


Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Jacob Lawrence, "The Libraries Are Appreciated," from Lawrence's 1943 Harlem series, an image that depicts the Harlem Branch of the NY Public Library

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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You might be surprised (or tickled) to learn this has an art historical precedent: a letter Guillaume Apollinaire wrote from the front in WWI, describing the wartime activities of various avant-garde artists

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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This almost makes it worse...?

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Okay I get it, people are bummed today, but I feel like we could also use a little more David Wojnarowicz fight like hell energy

1 replies 17 reposts 96 likes


Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Since there's a lot going on today and a lot of people are feeling stressed & overwhelmed, maybe this is a good time to introduce all of you to early 20th-century artist Tade Styka and his distinctive painted dog portraits

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Wow- I'm not a lawyer but really seems she took the gloves off here, huh?

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I've been saying for the last few years that George Grosz is the historical artist whose work most captures the vibe of our own contemporary moment, and today I'm doubling down on that assessment (George Grosz, The Painter of the Hole I, 1948)

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Goya, Two Old Men Eating Soup, c. 1819-23

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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How is your post even "word salad" by any reasonable definition of the term??

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I haven't heard that...? It's in the major catalogue raisonné, so I've always assumed it was. And it's just awkward enough that it tracks with his lack of painterly sophistication that early on (when he was in The Hague)

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks! In the book's introduction I focus on Van Gogh's "Flower Beds" painting at the NGA, which highlights the challenge of defining the category of nature with any precision. I'm low-key obsessed with the painting, which I know is not as sought after as his later work but I love all the same

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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An update on my Van Gogh book: turns out it's been selling so well that two days after its release it's already seeing some delays on Amazon😮. The good news: if you're interested, it can be ordered directly from Yale Press, which has plenty of copies available: yalebooks.yale.edu/book/9780300...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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So @peterhuestis.bsky.social has been noting a new video format from London's National Gallery, where a curator holds up a reproduction of an artwork to discuss it, rather than standing in front of the *actual* work in the museum. Can anyone help explain what's going on here? I for one am mystified

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I just watched a few of them, and I'm dumbfounded. Is it a way to make art "more relatable?" Try out a new format from the typical "curator in the galleries" approach? I really want help understanding this!

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thank you! I'm very much hoping the book will shift people's sense of Van Gogh's work while underscoring his connections to our own current climate realities

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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For what it's worth, according to Patty just before the Floor Burger's first showing at the Green Gallery in NYC in 1962, she & then-husband Claes Oldenburg "inaugurated" the piece by making love between the patty and the bun

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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A very happy birthday to the remarkable Patty Mucha, who turns 89 today!🎉 The left photo is from when I visited her in Vermont a few months ago; the other shows her in the 1960s with then-husband Claes Oldenburg along with the Floor Burger, one of the many products of their artistic collaborations

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I was just there a few weeks ago, and damn she was just so, so good (this is her bust of French naturalist painter Leon Lhermitte)

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thank you! I know that for some it will be a challenge to think of Van Gogh's artwork in relationship to industry, but when you consider the period and places he lived in the connection comes to be utterly unsurprising

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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I'm excited to share that today is the official publication date for my new book, Van Gogh and the End of Nature, from Yale University Press, which more firmly grounds Van Gogh within the industrial era in which he lived & worked (thread)

yalebooks.yale.edu/book/9780300...

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks so much- I really appreciate it. So happy to have this out in the world now

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks, Jeremy! So now am I allowed to take just a little rest...?🙏

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks so much for the invitation - looking forward to this in the fall!

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks so much! I really appreciate your interest in the book, which I'm glad to now have out in the world

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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Thanks so much, Joshua, and thanks for the signal boost - I really appreciate it!

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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The book ends on a contemporary note with the work of Latoya Ruby Frazier, now featured in an exhibition at the Museum of Modern Art, who referenced Van Gogh in photographs she made while in residence in the very same Belgian coal mining region Van Gogh had visited more than a century earlier

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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While the final full chapter, “Color,” discusses how artificial pigments, including many made from the industrial byproduct coal tar, transformed the broader chromatic world - along with Van Gogh’s palette - in the 19th century

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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In chapter four, “Water,” I discuss Van Gogh’s proximity to despoiled waterways, from the period of his childhood—which historians tell us saw a marked increase in industrial water pollution in the Netherlands—to those nearby his famed Yellow House in Arles, in the south of France

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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The book's third chapter, “Fire,” examines Van Gogh’s abiding interest in gaslight during his time in Arles, including in such iconic works as The Night Cafe and Starry Night over the Rhone

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Michael Lobel's avatar Michael Lobel @mlobelart.bsky.social
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In chapter two, “Earth,” I treat the artist’s deep connection to mining and excavation, particularly in his early experience in the Belgium coal mining region of the Borinage, known as the Pays Noir (the Black Country) due to the heavy shroud of black soot & dust that covered the terrain

1 replies 1 reposts 17 likes