I don't want some egghead bureaucrat telling me whether there's poison in the water I drink. Ideally I'd want that decided by a 29yo judge who went to a "biblical law school" and does not believe dinosaurs existed, and then to have that decision reaffirmed six years later by the Supreme Court.
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No, but in my defense, neither did anyone else but you.
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I like her, but she was never set up to rise. Despite her qualifications, Harris couldn’t win a game of pickleball against Stevie Wonder at this point.
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It kills me that we all thought this format would be to Biden’s advantage, and instead Trump’s come across better than he has in 8 years.
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The fear, not wrong, was that incumbents have a built-in edge that equals whatever advantage some young new candidate would have. And who?
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Reposted by Mark Waid Should Be Working Instead
Tonight’s debate is pretty much exclusively for suburbanites still trying to decide whether fascism will knock thirty cents off the price of eggs.
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He’s not making it another four minutes.
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An hour in, does ANYONE out there think we’re not completely fucked? If so, please tell me why—I need to hear.
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Before you turn it in, re-read your story from the antagonist's POV to make sure their motivations and actions track as faithfully as do the protagonist's.
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The exact quote was, "A good movie is three good scenes and no bad scenes."
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Always worth reposting, these sorts of calls to action.
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2/Also: so long as it makes sense and holds water, plot doesn't really matter. Swiss-watch plots are swell, but in the end, no one remembers plot. (Tell me, in detail, the plot to any James Bond movie. You can't.) They remember the moments they were emotionally engaged, when their blood was up.
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1/Writer's block is, 90% of the time, your subconscious holding you back because you've taken a wrong turn. Go back to the last place the story was really working and try taking a left turn or two, see what happens. It costs you nothing and can really limber you up.
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Also: so long as it makes sense and holds water, plot doesn't really matter. Swiss-watch plots are swell, but in the end, no one remembers plot. (Tell me, in detail, the plot to any James Bond movie.) They remember the moments they were emotionally engaged, when their blood was up.
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Writer's block is, 90% of the time, your subconscious holding you back because you've taken a wrong turn. Go back to the last place the story was really working and try taking a left turn or two, see what happens. It costs you nothing and can really limber you up.
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