64780. Slapping clay on the armature. I think the Lyssada scene will have to go, but I'll finish writing it anyway as it'll shed light on other bits, which is totally antithetical to how I usually write. Mongoose trained me never to write anything that wasn't going to be submitted.
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64290. More later. Writing, unexpectedly, a Lyssada Erevesic/Crown of Haith scene.
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63718. This week's been disrupted by a two-day trip to Birmingham, and next week's also frayed, and then I should be getting edits for SWORD TRIUMPHANT.
So, sprint time. Goal is 70,000 words total by next week.
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In the old Dark Forces shooter, the stormtrooper rifle fired slightly off-centre in a different direction every time
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63200. Slow start after yesterday's wedding anniversary (14 years!)
Today, for the second time, I've written a scene where the lead character of a piece of fiction eats a seagull.
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Reposted by Gareth Hanrahan
Just bought it & will eagerly consume it on my Europe trip!
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I hope you enjoy!
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THE SWORD DEFIANT ebook is still available on deep discount from Amazon and other retailers. I suspect this offer ends at the end of the month, so if you want 500+ pages of aged warriors coming back after the end of the quest, time's ticking...
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61246.
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I'm, er, rereading my own books as I'm working on a sequel and need to check bits of continuity.
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60525.
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(#typooftheday mooing and ruminating. hashtag Not A Cow)
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And I didn't have the moment of insight while writing. I had it... well, actually I had it in the bathroom, but let's be decorous for the sake of any future biographers and say I had it while cleaning the kitchen. The point is, I was away from the desk, moving and ruminating.
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3. Earning moments of insight require both raw material and distance. This one is based on what's probably a wholly extraneous intro chapter, but writing that intro chapter gave me the perspective needed to see a throughline that unites pretty much all the major characters.
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But that doesn't mean you were wrong. It just means that a novel's too big and messy to be solved by a single stroke. For a 500-page fantasy novel, there are going to be a dozen moments where I feel completely stuck or wrong, then work it out, then get stuck again.
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2. Blinding moments of insight feel like they don't survive contact with reality. You go "ah! I know what this book's ABOUT now!" or "aha! I know how to get the main character out of this jam" - and twenty pages later, you're adrift again, or in a different jam created by your clever solution.
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