Reposted by Perazza
you know what i love about instagram? how it never shows anyone anything
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Oh man, I just heard. I didn’t know her well but she was at WildStorm while my wife was still there and we crossed paths briefly. So sad.
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Perfect t-shirt.
Someone please make that.
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It might be worth noting too, in comics, that the advance really only comes into play if you sell a book. A graphic novel. It rarely (if ever!) is part of a standard page rate for a monthly comic where the publisher owns the IP (Spider-Man, Batman, etc.)
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Yeah. I think ZUDA did some genuine good for a lot of artists. But it’s hard to look at the history of comics publishers and just ignore decades long patterns of IP theft.
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I’m sure that in the end ZUDA was a financial loss for DC. The whole business model was pay up front for the comics and invest in the lions share of the IP long term. That’s 14K per comic, 18 comics per year…and then tank the line and revert the IP after 3 years because of a management change.
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I’d love to know what that showed. At the time we had posted our contracts publicly. I think you could earn something like $14K per year max on the webcomic itself - which was a HUGE bargain from DCs side. And then there were rev share percentages on other stuff.
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That happened?!
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He gave you the blueprint for endless holidays...and you picked honesty.
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The line “Since 1900, every time a Republican president has taken over, economic inequality has increased and the country has become more violent” really jumps out. I work at @epi-org.bsky.social (creative) and we recently released a report that supports this 100% www.epi.org/publication/...
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One thing about the Trump trial that’s striking to me is that it’s a rare time that a powerful person wasn’t able to buy, influence, or dodge the system. He had to go through the same tedious bullshit we do - and it worked. We need more of that.
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If only I had seen this then. Apologies!
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Oh my god. Brilliant.
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Freelance artists get the absolute shortest straw when it comes to their work. No unions, no protections, blatant exploitation…people are conditioned to place no value on their labor.
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You would be appalled at how many artists - great artists! - forget this.
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Thanks! There were a few people back in the day where we would actively avoid them when they came to the office or the convention booth, the bar, or whatever. We knew what was going to happen ahead of time and were just like, ugh... and then we'd laugh at whomever got cornered.
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5) Finally, the comics industry is brutal. Low pay, long hours, and little job security. It’s 100% ok to make comics when you have time, how you like, because you have a passion for it while still having a day job, or a family, or relationships, or a dog, or hobbies...
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4) Bear in mind that social media is not the real world. There is so much about the way the comics business ACTUALLY works on practical, day-to-day level that has little or nothing to do with how the social media THINKS the business works. Don’t drive yourself crazy.
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3) Play your game. Don’t get caught up trying to be “the next…” whomever or compare yourself to this or that person. Have a vision, however niche, and run with it. The honesty of your work is important. And along the way if you change your vision, that’s ok too.
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2) Network with other creators and the comics community - don’t relentlessly target people you think can give you work. Building a reputation as an engaging, trustworthy, normal, collaborative person is gold. Being the person always hustling for work, always pitching, makes people avoid you.
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1) Have a website or portfolio where it's easy to see a range of your work - and keep it updated. No need to go crazy. A social account where you regularly post work just fine. Your body of work is the main reason someone will hire you. Make sure your contact information is easy to find.
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I've held a few different roles as an editor and creative director in comics over the years and it continues to amaze me how some writers and artists hobble their own careers.
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I grew up fairly rural - riding dirt bikes, four-wheelers, etc. - and used to see trucks with lifts frequently in the pits where we used to ride. Trucks, Jeeps, and other off-road 4x4s with lifts were pretty common for “mudding.” en.m.wikipedia.org/wiki/Mud_bog...
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I wonder how they imagine a real man's man would put on his bright red boots while wearing his tights and cape?
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I don't know how much you're serious about those sorts of small fashion decisions are important! As soon as you pointed it out I was like, oh yeah 100%. StarWars used them (plus cape!) on a lot of the imperial uniforms.
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How absolutely arbitrary, right?
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I hate it so much. I'm not a gambler. I'm not anti-gambling ...it's just not my thing. But I am a sports fan. The degree to which gambling apps, offers, commercials, logos, etc. is now overwhelmingly integrated into EVERYTHING sports-related is absurd.
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100%
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I love a lot of those creators. Maybe I’m old and cynical but the marketing around the company itself rang really off key. Too much hype and somehow not genuine.
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